![]() And when I did, I learned this is a form of art that takes about ten to fifteen years to master. How he did it? I have no idea, but it definitely peaked my interest to go look it up. This man, all done up in the traditional Peking opera costume, would dance around and change his mask fifteen times in a matter of nanoseconds. The depiction of the tea ceremony was so detailed, but my favorite part was the face changing. When the first act opened, I was still unsure about what was coming. ![]() After listening to a little quartet play, I made my way to the main hall where I was seated in a group table and served some delicious little snacks and their famous green tea (which I downed in about two seconds and proceeded to ask for more). I do, however, remember thinking how perfect everything was set up. After going to the Laoshe Teahouse my whole perspective changed! Opera in China is an entirely different, more amazing and way more colorful way to describe the opera genre… it is Peking Opera.Īs I was walking into the Laoshe Teahouse, I didn’t really know what to expect after seeing the distinct feng shui-like decorations in the foyer. Interview with Zoe Apostolidou and Emel Aydoğdu.Before I came to Beijing, I remember hearing the word “opera” and associating it with the beautiful arias of Italian singers and world-famous artists like Pavarotti. Young Europe IV: Non-Dominant Voices in European Youth Theatre.Zhou Xinfang, the first president, who was a famous Peking Opera master himself. “My advice for Western audiences is to spend some time doing their own research, then they will understand the opera more fully.”Īs a prominent art company in China, Shanghai Jingju Company, established in March 1955, is one of ten national key Peking opera troupes entitled by China Ministry of Culture. We Chinese do a lot of homework before going to see Wagner, or a Western ballet,” says Feng. “We want to take Chinese opera overseas, but our traditional plays, while very eye-catching, were incomprehensible to foreigners. “We specifically designed this play for foreign audiences,” said Feng Gang, the writer, in The Telegraph. The show was specifically designed to make the opera accessible to the Wester audiences. Shi Yukun’s staging is clean and spare, allowing the rich rituals of the Peking opera tradition to flourish. It feels both exotic and familiar, ancient and strangely modern, and though this is a show that defies all western theatrical traditions, its strangeness becomes compelling. Commenting on the show at that time, The Guardian wrote: The show was shown at the Edinburg Festival in 2011. The Peking opera follows Chinese dramatic aesthetics, including music, vocal performance, mime, dance and acrobatics. Prince Zi Dan meditates on the nature of life versus death, art versus reality and fate versus choice. As in the original, in The Revenge of Prince Zi Dan, the prince is visited by the ghost of his father and called to seek revenge for the king’s unjust death. Internationally renowned Shanghai Jingju Theatre Company transforms Shakespeare’s Hamlet into one of China’s most impressive forms of traditional art. ![]()
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